Between Two Kingdoms by Joe Boyd

Allegory – or even symbolism for that matter – is a tricky thing. Too obvious and people ask why fiction? Not clear enough and you risk confusion and readers missing the point. I wrestled with this fine line as I was reading Between Two Kingdoms by Joe Boyd.

Here is the synopsis from the publisher:

There is a land of two kingdoms, but only one true King. A living land, where foundations grow in trees and rivers sing and breathe. A dying land, where the darkness of a false prince threatens to swallow everything in its shadow.

Enter Between Two Kingdoms with Tommy, an eternally seven-year-old child of the Great King, as he and his friends accept the challenge of the Good Prince to live as grown men and women in the Lower Kingdom—where hope is hidden, vision is clouded, and pride twists truth into a beautiful yet deadly deception.

As the synopsis eludes to above, the basic story line follows Tommy as he accepts a mission into the lower kingdom. Setting out he knows very little about what lies ahead. Once there, however, it is revealed that the assignment involves stopping a plot to cover the entire lower kingdom in darkness and smoke in order to control and enslave the frightened  population. Tommy and his friends must protect as many people as they can and then find a way to destroy the machine that is creating the smog like smoke that begins to cover the kingdom.

You can get an idea of what the author was trying to portray and flush out in this short video.

To me the book felt either too simple or incomplete. It had the feel of a story you might write to experiment with ideas and symbols (and characters) – a sort of thought experiment in the form of a novella. And in this way it had some interesting aspects.

But as a work of literature taken as a whole it fell flat for me.

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