Following in my footsteps the NYT has a review of Toward You by Jim Krusoe. Sam Munson doesn’t care much for the parts of the story not in the narrator’s voice buy appreciates Krusoe’s talent and the voice of Bob:
That voice is the most powerful component of “Toward You” — when Bob speaks, we listen. Krusoe’s skill both in evoking Bob’s claustrophobic loneliness (he will address any being, animate or not, as though it were capable of conversation) and in endowing him with a rich but never writerly language (he recalls Yvonne preparing to eat a bowl of pea soup “as a few croutons floated on its quiet, green surface”) ensure that he has our attention.
[...]
Krusoe’s sure and subtle imaginings of such characters — yearning, isolated and finally enigmatic — place him among the foremost creators of surreal Americana.
I can agree with that last sentence but the novel as a whole didn’t quite work for me:
Krusoe is clearly a talented wordsmith with a witty eye for the lives and relationships of the socially challenged. But for me it seems the combination of lead character, plot and other elements have to come together just right for it to “work.”
Related articles
- Toward You by Jim Krusoe (collectedmiscellany.com)
- Book Notes – Jim Krusoe (“Toward You”) (largeheartedboy.com)
I used to read a lot of espionage fiction. At its best it has a nice blend of action and intrigue with character depth and complex plots. But I haven’t been reading much of it lately.
I saw 
