Jun 20 2011
Reviews
Jun 17 2011
Queen of Kings by Maria Dahvana Headley
Queen of Kings is a rather campy, sometimes overly melodramatic and at times keenly mythological novel; part romance, part horror, part fantasy and part historical thriller. Quiet frankly it is a bit of a mess. But I was interested in how the author would handle the historical and mythological aspects and thought it might make an entertaining read.
It did – sorta.
Basic Plot (short version): Cleopatra in death reborn as world threatening vampire.
Basic Plot (longer version): As the Romans prepare to conquer Egypt, and trick her husband Marc Antony into suicide, Cleopatra desperately seeks the help of an ancient goddess. But insted of simply adding a powerful ally to her side she inadvertently unleashes a monster she can’t control, loses her soul and turns a traditional war into a supernatural one.
Sounds interesting, no?
Jun 9 2011
Glasruhen Gate by Catherine Cooper
Glasruhen Gate is book two in The Adventures of Jack Brenin series. I discussed The Golden Acorn yesterday. Although the main characters are the same and the style and tone are very similiar, this book has a different perspective as it take place larger outside our world and inside the world of Annwn – the Cletic other-world and home of the Mother Oak.
Jack rescued the cauldron plates in the first book and now they have to put the magic cauldron together, open the Glasruhen Gate, and gather acorns from the Mother Oak in order to revive the dying trees heretofore cut off from the magic of Annwn.
Jack is supposed to use his unique gifts and open the gate so the Senachi Nora and the mysterious Elan can visit Annwn and return with the acorns. As “mortals” Jack and Camelin are not allowed to visit except once a year on Samhain. But Camelin’s desire to visit the fair and not surprisingly get something to eat leads them into Annwn and trouble.
The rest of the story tells the story of not only the fate of Jack and Camelin but also Nora, Elan and the political upheaval of Annwn. As told by the prophecy, Jack will play a role in bringing peace to both the world and the one beyond.
This second book actually has a little better pace than the first as the tension in Annwn is higher than that of Jack’s preparation and transformation in the first. But this is by no means action packed or any sort of thriller.
Rather, like the first, it is a simple but enjoyable chapter type book for middle grades or young adult readers not looking for the complexity or danger of more advanced stories.
Related articles
- Golden Acorn by Catherine Cooper (collectedmiscellany.com)

Jun 8 2011
Golden Acorn by Catherine Cooper
I stumbled across Golden Acorn (The Adventures of Jack Brenin) because it was free on Kindle (are you beginning to see a pattern develop?) and it seemed like the kind of story I would enjoy (ya/middle grade fantasy adventure).
It turns out the author, former Shropshire teacher Catherine Cooper, won the Brit Writers’ Awards Unpublished Writer of the Year in 2010 for this book which led to its publication.
Here is the author’s description of the story:
Jack Brenin’s life changes the moment he finds a golden acorn lying in the grass. He gets caught up in an extraordinary magical adventure and enters a world he only believed existed in legend. He’s sure he’s been mistaken for someone else. How could he possibly be ‘The One’ an ancient prophecy speaks about, he’s neither brave nor strong? He’s no idea why he’s expected to help, unsure if he wants to, or even if he can.
And the book turned out to be an interesting take on a very common story: young boy stumbles on magic, finds out he is the chosen one, has lots of self doubt but through trials and tutoring grows into the role thanks to his natural talent and character.
[More after the jump] Keep Reading


Donohue manages the dream logic well, modulating registers from one mystery muse to the next with mostly-subtle shifts in dialect and voice. When the key to the puzzle finally is disclosed, however, the answer is an obvious one, and a bit of a new-age, pop-psych let-down, lacking the intellectual crackle of Borges and the tooth-gnashing comedy of Beckett–qualities this seductively irreal novel seems to want to foster. And yet there’s a satisfaction in the telling, and in the notion that stories find their resonances even across the generational tides of forgetting, that ultimately the tale is the only transcendent force we can bring to bear against death and its savage requitals.


