E-book

Kindle Quick Hits: The Flinch by Julien Smith

One of the interesting things that has developed as part of the growth of e-books is the ability to publish essays and shorter type works quickly and easily and reach a large audience.  If you want to publish something quickly and have the potential to reach a large audience you can now do it yourself in e-book form.  Charge little (anywhere from $.99-$2.99 usually) and make it easier for people to pull the trigger.

I have been taking advantage of this development to read some interesting e-books from a variety of genres and authors.  And over the next few days I want to take a moment to offer my quick impressions of these shorter works.

First up is a e-book that was actually free: The Flinch by Julien Smith.

A book so important we refuse to charge for it.

Julien Smith has delivered a surprise, a confrontation, a book that will push you, scare you and possibly stick with you for years to come.

The idea is simple: your flinch mechanism can save your life. It short circuits the conscious mind and allows you to pull back and avoid danger faster than you can even imagine it’s there.

But what if danger is exactly what you need?

What if facing the flinch is the one best way to get what you want?

Here’s a chance to read the book everyone will be talking about, before they do.

What are you afraid of? Here’s how to find out.

I saw this on Twitter and decided to check it out. After all, it was free.  It turned out to be a sort of digital pep talk.  It has an interesting hook and some useful challenges even if it is somewhat repetitive.

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More on Kindle and the joy of reading

Cover of "Kindle Wireless Reading Device,...

Cover via Amazon

Miljenko Williams ruminates on Kindle and being engrossed in a good read:

But what I most like about the whole Kindle experience is that in some intangible and inexplicable way it has managed to use digital technologies to turn me away from hypertextuality.

I love the Internet – always will do, of course.  But Amazon’s Kindle has reminded me of the simple pleasure of burying oneself in a text – a pleasure I had lost in an online maze of endless restless clicking.

A simple pleasure indeed.

That wondrous permission we readers sometimes choose to offer up to those deserving writers who with their wisdom regale us and reward us.

That beautiful moment when we choose to allow an author the time and space to lead us through their world.

That is why Amazon’s Kindle is worth so very much more than its technology.

All I can says is, yup. I offered my thoughts along similar lines a few days ago.

American Spectator E-Book Debate

The American Spectator has offered a couple of different perspective on e-books this week.  On Wednesday, Lisa Fabrizio didn’t so much denounce electronic books as worry about what their growth might mean:

And so it was with trepidation that I read last week that Amazon.com announced that for the first time, sales of titles for its Kindle e-readers outpaced those of hardcover books. Now, I’m no luddite when it comes to the advance of technology, but I hope I’m not wrong in predicting that the surge in the sale of e-books is merely a fad and not a trend As we grow more and more into a technologically based society, we are losing touch with the sensible world around us. This push-button lifestyle brings us further and further away from simple pleasures; those that may be enjoyed even without electricity.

As did my father when I was a little girl, I encourage children to read: read anything that catches their fancy and if Kindles are the only means to this end, then fine. But my suggestion to the young is to pick up a real book, love it, and reread it until its pages are yellow and dog-eared and then pass it on to someone else. Then none of you will have cause to pause when someone asks you that popular question: If you had three books to take with you should you ever be stranded on a deserted island, what would they be?

Mark Goldblatt, author of Sloth, responds from the perspective of a reader and an author. He concludes it is not an either or situation:

As unsettling as such innovations may seem, they needn’t encroach on the experience of traditional readers — not even those seduced by the siren song of a Nook, Kindle or iPad. The option of sight reading, of scanning down the page line by line, without using the cursor, will always remain. But the range of new possibilities is sure to impact how writers write; many will write with an e-book specifically in mind. They will become orchestrators as well as wordsmiths — deciding, in the case of Sloth, what to annotate, but, in the future, deciding what to score, what to illustrate and what to animate. The results will be hybrids… not unlike the way today’s graphic novels are hybrids of traditional novels and comic books.

Not surprisingly, I am in the both/and camp. I love my Kindle and its conveinence.  But I also love books qua books. Just one example, my wife and I love to buy classic children’s books at used book stores and library sales because of both the classic stories and their great illustrations.  And lest all the authors out there are worried, yes we enjoy brand new children’s books for similar reasons.  This is something that can’t be replicated on a Kindle – at least right now.

I don’t know how the various markets will work themselves out but I am not afraid that art and illustration and the joys of books as physical objects will disappear.

Are e-readers 8-tracks in disguise?

The Wall Street Journal ponders this question:

Books are having their iPod moment this holiday season. But buyer beware: It could also turn out to be an eight-track moment.

While e-reading devices were once considered a hobby for early adopters, Justin Timberlake is now pitching one on prime-time TV commercials for Sony Corp. Meanwhile, Amazon.com Inc.’s Kindle e-reading device has become its top-selling product of any kind. Forrester Research estimates 900,000 e-readers will sell in the U.S. in November and December.

But e-reader buyers may be sinking cash into a technology that could become obsolete. While the shiny glass-and-metal reading gadgets offer some whiz-bang features like wirelessly downloading thousands of books, many also restrict the book-reading experience in ways that trusty paperbacks haven’t, such as limiting lending to a friend. E-reader technology is changing fast, and manufacturers are aiming to address the devices’ drawbacks.

Yes, the WSJ brings us the hard hitting journalism that tells us that if you don’t have disposable income and/or aren’t a gadget person you may not want to spend hundreds of dollars on a dedicated e-reader!

“If you have the disposable income and love technology—not books—you should get a dedicated e-reader,” says Bob LiVolsi, the founder of BooksOnBoard, the largest independent e-book store. But other people might be better-off repurposing an old laptop or spending $300 on a cheap laptop known as a netbook to use for reading. “It will give you a lot more functionality, and better leverages the family income,” he says.

Wow! I never would have figured that out myself. To be fair, the article does go on to offer some contrasting opinions on the pros and cons of various devices.

But I find this debate tiresome in some ways.

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I get it, you hate Amazon & the Kindle. So what?

Let me state right up front that I am biased on this subject.  I own a Kindle (1) and enjoy it. But on the other hand I don’t think I am such a Kindle partisan that I can’t see reasonable criticisms or recognize hype.  There are plenty of both in discussions of the Kindle and ebooks in general.

But I found Nicholson Baker‘s New Yorker essay incredibly tiresome and rather disingenuous.  Baker spends 6,000 words saying what is rather obvious to anyone who has looked into the Kindle: if you read books for their typogrpahy, illustrations or other visual elements – books as physical objects with all that entails – then the Kindle (like most ebook readers) is not for you.  Oh, and lots of books are not available yet.

Clearly, for Baker reading is a very physical and visual activity.  He wants certain things from a book and the Kindle doesn’t give him what he wants.  Fair enough.  I still love a well designed book and certainly find Kindle’s handling of illustrations problematic.

But Baker completely ignores why the vast majority (at least I suspect) of Kindle owners enjoy using it.  Here are a couple of issue the Baker basically misses:

  1. A library on the go.  If you frequently travel and love to read Kindle is a lifesaver.  You can have a library of books while only carrying something the size of a trade paperback.  So many critics seem to miss this very basic point.  Can they not see how handy it is to have a huge selection of books plus magazines and newspapers at your fingertips without lugging them all around with you?  This is not a question of art but one of practicality.
  2. Instant gratification.  Baker mentions this in passing but doesn’t explore it.  It is incredibly convenient to decide you want to read a book and start doing so 60 seconds later.  Why is it so hard to see how awesome this is? Finish the first book in a series and want to start the next?  With Kindle you can do so without even getting up.  It was the Amazon store and the Whispernet that really gave the Kindle the buzz.  Again, not aesthetics but convenience.
  3. Sometimes it is about the words.  The fundamental problem Baker has with the Kindle is that books are clearly more than mere words to him.  He derisively describes Kindle books as “a grouping of words in front of your eyes for your private use with the aid of an electronic display device approved by Amazon.”  Sure, but sometimes that is all I need.  In fiction all I often need is the story.  The way the author creates a world out of words.  I don’t need illustrations or a book cover or a certain typography, font, type of paper, etc.  I just want to read the story.  The same is true of non-fiction.  I just want the information – the argument, or the history, or the descriptions. I have found reading the Kindle a great way to get what I want from certain books without the need for a physical copy to lug around or to take up more space in my house. It is really that simple.

It doesn’t bother me that Baker doesn’t like the Kindle.  And I think he makes a few valid points – even if they are hardly insightful or unique.  What I found rather silly is the verbose and snide way he goes about making these arguments.

Yes, we get it.  Some people hate Amazon.  Yes, the iPhone is superior to every other device. Yes, Kindle is propietary. Yes, the Kindle doesn’t handle graphics very well.  Yes, the Kindle isn’t a work of art.  Yes, yes, yes.  I get it.

My response? So what? That is not why I have one.  I fail to see why it was necessary to pen 6,000 words to rehash this rather tired cultural argument.

I don’t know if the Kindle will revolutionize books but I am happy just to take advantage of the convenience it provides.

Perhaps that is just too mundane for Baker but it works for me.