Fantasy Fiction

The Magician King by Lev Grossman

In my review of The Magicians I offered this opinion as to what its author was up to:

What Lev Grossman attempts to do in The Magicians is both bring this shared love of childhood fantasy adventures into a more adult-like world but also ask the question: “What if something like Narnia really existed?”  These two concepts make up the bulk of the book but they do not always work together.

The just released sequel, The Magician King, picks up where this left off and ads the question: “What if you found the fantasy land of your dreams but eventually got bored and restless? “What if it wasn’t enough?”

Quentin and his friends are now the kings and queens of Fillory, but the days and nights of royal luxury are starting to pall. After a morning hunt takes a sinister turn, Quentin and his old friend Julia charter a magical sailing ship and set out on an errand to the wild outer reaches of their kingdom. Their pleasure cruise becomes an adventure when the two are unceremoniously dumped back into the last place Quentin ever wants to see: his parent’s house in Chesterton, Massachusetts. And only the black, twisted magic that Julia learned on the streets can save them.

Magician King is still a dark, adult modern version of the young adult or childhood fantasy adventure and it still contemplates the question what if magic, and the fantasy land of your childhood, was real. But then it takes this background and foundation and forces the characters to wrestle with the complexity and difficulty of adulthood that remain even if magic exists. What does it mean to be a hero? What does it mean to be willing to really give of yourself to something or someone larger than your own selfish interests. Does the happy ending still result?

Along the way Grossman also explores what the architecture or building blocks of magic might look like and how human interaction with that – past, present and future – might work or not work.

More after the jump …

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Book Trailer: Toward the Gleam

Interesting trailer for Toward the Gleam by T.M. Doran. Clearly going for the Tolkien and CS Lewis fans. Looks interesting nonetheless …

Queen of Kings by Maria Dahvana Headley

Queen of Kings is a rather campy, sometimes overly melodramatic and at times keenly mythological novel; part romance, part horror, part fantasy and part historical thriller. Quiet frankly it is a bit of a mess. But I was interested in how the author would handle the historical and mythological aspects and thought it might make an entertaining read.

It did – sorta.

Basic Plot (short version): Cleopatra in death reborn as world threatening vampire.

Basic Plot (longer version): As the Romans prepare to conquer Egypt, and trick her husband Marc Antony into suicide, Cleopatra desperately seeks the help of an ancient goddess. But insted of simply adding a powerful ally to her side she inadvertently unleashes a monster she can’t control, loses her soul and turns a traditional war into a supernatural one.

Sounds interesting, no?

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Video: Queen of Kings Trailer

Another interesting video trailer, this one for Queen of Kings:

In this epic and stunningly imaginative blend of history, fantasy, romance, and the supernatural, Queen of Kings entwines the true and timeless story of Antony and Cleopatra with a supernatural narrative in which the Queen of Egypt sacrifices her soul to save her fallen husband and in return is transformed into a vampiric shape-shifter bent on vengeance against the Roman Empire.

The Narnia Code by Michael Ward

Like many evangelicals – heck, like a great many people period – my introduction to what you might call fantasy fiction was C.S. Lewis. I have read a decent amount of his writing as well as books about him.

I wouldn’t say I am quite as taken with him as some (there is an almost cultish aspect to many of his fans within evangelicalism) but I am a big fan of the Narnia series.

So when I heard about Planet Narnia by Michael Ward I was intrigued. Was there really a hidden code behind this famous series?  But the book was academic in nature not to mention long and expensive – so I never got around to reading it.

But the folks at Tyndale publishers had the bright idea to bring out a sort of slimed down introductory version called The Narnia Code: C. S. Lewis and the Secret of the Seven Heavens.  I figured this was my chance to see what all the fuss was about.

Here are the basics:

Millions of readers have been captivated by C. S. Lewis’s famed Chronicles of Narnia, but why? What is it about these seven books that makes them so appealing? For more than half a century, scholars have attempted to find the organizing key—the “secret code”—to the beloved series, but it has remained a mystery. Until now.

In The Narnia Code, Michael Ward takes the reader through each of the seven Narnia books and reveals how each story embodies and expresses the characteristics of one of the seven planets of medieval cosmology—Jupiter, Mars, Sol, Luna, Mercury, Venus and Saturn—planets which Lewis described as “spiritual symbols of permanent value.”

How does medieval cosmology relate to the Christian underpinnings of the series? How did it impact Lewis’s depiction of Aslan, the Christlike character at the heart of the books? And why did Lewis keep this planetary inspiration a secret? Originally a ground-breaking scholarly work called Planet Narnia, this more accessible adaptation will answer all the questions.

Seems outrageous and interesting, right? Well, it is sort of both. I found the book interesting in concept but less successful in practice.

More thoughts below. Keep Reading