fantasy

Modernism, Liberalism & Tolkien

I posted this on my Tumblr blog but thought it worth reposting here as I find it fascinating.

Alan Jacobs is great blogger. He may not want to embrace that label but his Tumblr blog is full of interesting links, thought-provoking analysis and great quotes.  A great example is his post in response to Adam Gopnik’s New Yorker piece on high fantasy for young adults.

What really struck me was his conclusion on Tolkien and modern liberalism:

Modern liberalism likes to think that all our problems are epistemological: we are afflicted by never knowing with sufficient clarity what we ought to do. Our fictions tend to reflect that assumption. Tolkien, not being a modern liberal, thought it more interesting to explore situations when people know what they need to know but may lack the strength of will to act on that knowledge. He might say, and with some justification, that contemporary literary fiction is not simplistic in regard to such problems but oblivious to them.

What say you? True? Fair?

Incarceron by Catherine Fisher

Cover of "Incarceron (Incarceron, Book 1)...

Cover of Incarceron (Incarceron, Book 1)

I have been reading some more serious non-fiction so, as is my habit, I like to turn to young adult fantasy fiction as a sort of palate cleanser or break. I love books you can get lost in anyways and often these very creative YA title offer that.

Which is why I have been wanting to read Incarceron by Catherine Fisher for some time.  I enjoyed The  Oracle Prophecies series and had heard good things about this new dystopian series.

Here is the publishers synopsis:

Incarceron is a prison so vast that it contains not only cells, but also metal forests, dilapidated cities, and vast wilderness. Finn, a seventeen-year-old prisoner, has no memory of his childhood and is sure that he came from Outside Incarceron. Very few prisoners believe that there is an Outside, however, which makes escape seems impossible.

And then Finn finds a crystal key that allows him to communicate with a girl named Claudia. She claims to live Outside- she is the daughter of the Warden of Incarceron, and doomed to an arranged marriage. Finn is determined to escape the prison, and Claudia believes she can help him. But they don’t realize that there is more to Incarceron than meets the eye. Escape will take their greatest courage and cost more than they know.

The plot hook for this two book series is just so imaginative that it felt like a must read. The background to the worlds is rather pedestrian: continuous evolving of advanced technology eventually leads to devastating war which forces the world to begin anew. The jump off from here, however, is unique to say the least.

Inside: Incarceron, a prison made to be a utopia but that morphs into the opposite. The Outside: a world that is not what it seems; frozen in a protocol that requires time be stopped in the 17th century. Power struggles outside and the never ending search for escape from the inside will result in the collision of the two worlds.

Both sides of this dystopian coin are just so fascinating and captivating. The raw violent world of the prison with its mysteries and nightmares. The power struggles and intrigues of the outside world that, while cloaked in luxury and protocol, can be just as deadly. Inside Incarceron the violence is out in the open and so is the despair and rage. Outside in The Realm the violence is hidden and the despair is pushed away – only the peasants far from the minds of the court feel the despair. But even those inside the court feel the tyranny and stagnation of a culture trapped in time.  Both are places where freedom is an illusion.

“Steampunk” or dystopian fiction is not usually my thing but any fan of epic fantasy or world building will enjoy this one. Dark, complex and mysterious with intrigue and plot twists to keep you guessing Incarceron always leaves you wanting to know more; to dig deeper into these worlds.

The critics ate this one up:

Kirkus:

Elegant prose and precisely chosen details deftly construct two very different worlds, hinting at layers beneath the glimpses the tale permits; attentive readers will hear echoes of classic tales, resonant with implications about the meaning of stories, of faith and of freedom. Like the finest chocolate, a rich confection of darkness, subtlety and depth, bittersweet and absolutely satisfying.

Booklist:

This gripping futuristic fantasy has breathless pacing, an intelligent story line, and superb detail in rendering both of the stagnating environments. Fisher’s characters are emotionally resonant, flawed, determined, and plagued by metaphysical questions. With some well-timed shocking twists and a killer ending, this is a must-have.

Yoya:

This novel will no doubt appeal to steampunk fans, a genre that is growing within the teen community. A simultaneously romanticized and fractured version of the past alongside a precarious technology-driven future is a recipe for tension and anxiety, the kind that nourishes strong dystopian science fiction. Fisher’s strength is in her respect for teen readers to enter this world where nothing is as it seems only to discover that solutions are not always what they want them to be. This tome is complicated and the resolution is fraught, but in ways that make the story work.

It could be that the style or genre isn’t quite a perfect fit for me, or it could be that I am not in the intended teen audience, but for whatever reason there was something about it that kept it from being a home run for me.

If I had to guess I would say it is the language and the description. All of the elements were there for a great book but it didn’t quite come together. Great hook, solid characters, nice plot twists, etc. but I felt the length as I was reading.  In other long series once you get sucked in you are racing to the end devouring every page. You can’t wait to get home so you can read it.

I just didn’t have that feeling. I enjoyed reading it and found the various elements imaginative and fascinating but the whole was somehow less than the sum of its parts. I felt like at times the prose didn’t match the set-up – the expectation was high and the descriptions didn’t quite live up to those expectations.

Fisher balances information with a sense of mystery. You really never get to know too much about what happened in the lead up to the building of Incarceron and the establishment of protocol in the realm – it apparently involved a war that damaged the moon. Details are revealed slowly if at all. In many ways this keeps a tension and sense of mystery.

But it also removes some depth that would otherwise be there. And with nearly 450 pages that means a lot of prose without a lot of details.  N. D. Wilson‘s beautiful way with language and description are what makes it possible for his large books to move with a quicker pace – at least for me.

But this could be taste – as I said, I am not a fan of steampunk or a big reader of these type of stories. Either way, Fisher is still a talent and her books are unique and engaging. If you are looking for something different I would  recommend them.

The Charlatan’s Boy by Jonathan Rogers

One of the challenges of reading young adult fiction is trying to determine what actual young people might think. As an adult I have different expectations, and experience books differently, and this makes reviews tricky. To be honest, I read YA fiction mostly because it offers some very creative approaches to fantasy and imaginative fiction that is often lacking in “adult” fiction.

This came up again while reading The Charlatan’s Boy by Jonathan Rogers.

Here is the publisher’s description:

As far back as he can remember, the orphan Grady has tramped from village to village in the company of a huckster named Floyd. With his adolescent accomplice, Floyd perpetrates a variety of hoaxes and flimflams on the good citizens of the Corenwald frontier, such as the Ugliest Boy in the World act.

It’s a hard way to make a living, made harder by the memory of fatter times when audiences thronged to see young Grady perform as “The Wild Man of the Feechiefen Swamp.” But what can they do? Nobody believes in feechies anymore.

When Floyd stages an elaborate plot to revive Corenwalders’ belief in the mythical swamp-dwellers known as the feechiefolk, he overshoots the mark. Floyd’s Great Feechie Scare becomes widespread panic. Eager audiences become angry mobs, and in the ensuing chaos, the Charlatan’s Boy discovers the truth that has evaded him all his life—and will change his path forever.

My first mistake was not really thinking of this as a young adult book. I guess I vaguely knew that but when I picked up the book I didn’t have that clearly in my mind and it affected my reaction.

But then knowing that it is YA what expectations should I have?

I love the setting and the personality and voice of the main character, Grady, but found the story dragged and held little suspense. But this might be due to “adult” expectations so your mileage may vary.

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A Tale Dark and Grimm by Adam Gidwitz

A Tale Dark and Grimm is a book right in my wheelhouse, as they say.  After reading a review in the NYTBR, I quickly added this to the TBR pile.  Young adult fantasy fiction, fairy tales and folklore, quirky sense of humor, etc. What’s not to like, right? I soon grabbed it for my Kindle and started reading.

It turned out to be a sort of Lemony Snicket take on the Brothers Grimm. Gidwitz reworks a variety of Grimm Fairy Tales with Hansel and Gretal as the lead characters while adding his own sarcastic and ironic commentary along the way.

As is so often the case, I was a bit torn about the end result.
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In the Mail: The Demon Hunt

The Demon Hunt: A Dark Storm Novel by Kris Greene

Description

Soul-sucking demons. Half-human killers. Doomsday prophesies. No, this isn’t a late-night movie on cable TV. This is Gabriel’s life—or least, what’s left of it—ever since he discovered his true destiny as a warrior knight in the battle against darkness. Once an ordinary college kid studying lost legends in books, Gabriel now finds himself face to face with actual demons. As a warrior, he has no choice but to fight them. And if he screws it up, the world is toast…

A dimensional rift has opened between worlds. Which means more demons—and more death—than you could shake a proverbial stick at. Luckily, Gabriel has just the stick for the job, an ancient trident that gives him awesome demon-bashing powers. To watch his back he has the butt kicking half Demon De Mona and several unlikely heroes who he’s picked up along the way. To make matters more complicated two of Gabriel’s college buddies wind up dead and he finds that the demons aren’t the only ones who want a piece of his hide. The cops want him too—for murder…