Janet Maslin

Angelology by Danielle Trussoni

A week or so ago I promised as a service to my readers to referee the dueling New York Times reviews of  Angelology by Danielle Trussoni. Put aside the fact that one was technically in the New York Times Review of Books and the other in the paper – or the fact that they were not really side by side reviews – and focus instead on the very different reaction the book produced.

But first, let’s allow the publisher to introduce the book:

Sister Evangeline was just a girl when her father entrusted her to the Franciscan Sisters of Perpetual Adoration in upstate New York. Now, at twenty-three, her discovery of a 1943 letter from the famous philanthropist Abigail Rockefeller to the late mother superior of Saint Rose Convent plunges Evangeline into a secret history that stretches back a thousand years: an ancient conflict between the Society of Angelologists and the monstrously beautiful descendants of angels and humans, the Nephilim.

For the secrets these letters guard are desperately coveted by the once-powerful Nephilim, who aim to perpetuate war, subvert the good in humanity, and dominate mankind. Generations of angelologists have devoted their lives to stopping them, and their shared mission, which Evangeline has long been destined to join, reaches from her bucolic abbey on the Hudson to the apex of insular wealth in New York, to the Montparnasse cemetery in Paris and the mountains of Bulgaria.

This was in fact the blurb that intrigued me enough to read the book (generously provided by the publisher in this case). But the same book produced two very different reactions.

Janet Maslin calls it “a class-obsessed, scholarship-spouting, minutiae-strewn thrill ride that follows the ‘Da Vinci Code’ model as loftily as it can.”

In contrast, Susan Cokal: “Sensual and intellectual, “Angelology” is a terrifically clever thriller — more Eco than Brown, without the cloudy sentimentalism of New Age encomiums or Catholic treatises.”

So if I had to choose side in this debate who would I declare the winner? I would have to side with Cokal but I can understand where Maslin is coming from to a degree.

More below.

Keep Reading

What do you expect out of your thrillers?

I expressed some opinions about this on Twitter, but thought I would make it a full blown post of its own.

Marilyn Stasio reviews Olen Steinhauer’s [amazon-product region="us" text="The Tourist" type="text"]0312369727[/amazon-product] in the NYTBR.  She seems to struggle with it because it lacks the sort of straightforward plot you would expect of a international thriller.  After praising the central character Milo Weaver she drops in her frustrations:

The only drawback to this warm close-up of the protagonist is that it skews the novel, rendering it more of a character study than a full-bodied espionage novel. There’s plenty of plot, but it’s messy rather than complex; and while the cast is thickly populated with career spooks from France, Russia, China, Sudan and components of the former Yugoslavia, few of them develop into worthy adversaries, and their agendas are so murky that we’re not particularly anxious to get back to them.

I think this is true to a certain degree but besides the point.  I don’t think Steinhauer was attempting to write am espionage novel in the traditional sense.  I have been arguing instead is that he is attempting to use elements of the thriller and espionage genre and yet write more literary novels.

Keep Reading