Laila Lalami

Dec 31 2009

Ten of my favorite reads in 2009

I thought it would be appropriate to look back over the books I read in 2009 and pick out a few of my favorites.  Keep in mind what follows is my list of favorite reads in 2009 not books published in 2009. And the list is not in particular order or rank.

1) John the Baptizer by Brooks Hansen:

No matter your faith background, or lack of it, or your knowledge of the Bible, or lack of it, I highly recommend John The Baptizer.  Its blends the historical and the literary in ways that defy genre and subject matter to create a powerful story.

2) Right Time, Right Place by Richard Brookhiser

For anyone wanting to understand the conservative movement, and its flagship magazine, Right Time, Right Place is a must read.  And anyone interested in becoming a journalist/writer would do well to read it. But at its heart is a more humane vision: that being true to your ideals and friends is what’s important.

3) The Everafter War by Michael Buckley

With the Everafter War Michael Buckley again shows why this series has won the acclaim and popularity it has.  Each book has just the right amount of humor and seriousness; of plot and character development mixed with satire and slapstick.  He keeps the reader guessing – although both the traitor and the master are pretty easy to spot – and despite all the silliness (and the YA audience) the characters are surprisingly well developed. It is just an ideal light read for me and for kids of all ages.

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By Kevin Holtsberry • Reviews • 0 • Tags: , , , , , , , , , , , ,

May 7 2009

Ten Questions with Laila Lalami

I really enjoyed Laila Lalami’s new novel Secret Son and so inquired about having her answer some questions via email.  She graciously agreed.

Here is a brief bio for those who may be unfamiliar with her work or background:

Laila Lalami was born and raised in Morocco. She earned her B.A. in English from Université Mohammed V in Rabat, her M.A. from University College, London, and her Ph.D. in linguistics from the University of Southern California. Her work has appeared in The Boston Globe, The Los Angeles Times, The Nation, The New York Times, The Washington Post and elsewhere. She is the recipient of an Oregon Literary Arts grant and a Fulbright Fellowship. She was short-listed for the Caine Prize for African Writing (the “African Booker”) in 2006. Her debut collection of short stories, Hope and Other Dangerous Pursuits, was published in the fall of 2005 and has since been translated into Spanish, Dutch, French, Portuguese, Italian, and Norwegian. Her first novel, Secret Son, will be published in the spring of 2009. She is currently Assistant Professor of Creative Writing at the University of California Riverside.

My questions and her answers are below.

1) What is the most challenging part about moving from the short story format to a novel and what is the best aspect?

The structure of my short story collection made it possible to take out one story and revise it, or even get rid of it and replace it with another, without having this affect the shape of the entire book. But with the novel, changes to one chapter inevitably meant changes somewhere else in the novel, so the revision process was much more labor-intensive. On the other hand, working on a novel really enabled me to stay with the same story for a long time, to inhabit it, if you will, and to keep adding layers to it.


2) How would you describe your writing style? What authors have influenced your writing?

Perhaps it is up to critics to describe my writing style. I have a hard time looking at my work with a critical eye, since there is no possibility of being completely objective. My favorite authors-and I think these are the people who have influenced me the most, since I go back to them often-are J.M. Coetzee, Chinua Achebe, Ahdaf Soueif, Graham Greene, Joseph Conrad, Leila Abouzeid, Mohammed Choukri, Tayeb Salih, among others.
3) What sparked the idea for the character of Youssef?

I think I started with this image of a young man walking back home to the slum where he lives, having just watched a movie. In some sense, this journey from idealized dreams to stark reality-from lies to truths, if you will-takes place throughout the book. For instance, when Youssef’s mother reveals to him that he is the illegitimate son of a wealthy businessman, she only gives him a small part of the story of his birth, and then she changes that story several times in the book. Or when Hatim promises Youssef that he will publish an article about what happened at the university, the piece that comes out bears only a small resemblance to the events as Youssef experienced them.

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By Kevin Holtsberry • Interviews • 0 • Tags: , , ,

Apr 27 2009

Secret Son by Laila Lalami

secret-son

I have a basic policy of trying to read books written by bloggers with whom I have interacted.  I don’t really know these people, and perhaps it is a form of wanting a connection with the famous (used loosely), but I find it interesting to see how their writing works in long from as opposed to blogging.

So when I saw Laila Lalami had a novel coming out (I missed her short story collection when it came out) I got a hold of a copy.  I wasn’t sure what to expect, but Secret Son turned out to be a fascinating and powerful story. Here is the synopsis from the back cover:

Youssef el-Mekki, a young man of nineteen, is living with his mother in the slums of Casablanca when he discovers that the father he believed to be dead is, in fact, alive and eager to befriend and support him. Leaving his mother behind, Youssef assumes a life he could only dream of: a famous and influential father, his own penthouse apartment, and all the luxuries associated with his new status. His future appears assured until an abrupt reversal of fortune sends him back to the streets and his childhood friends, where a fringe Islamic group, known simply as the Party, has set up its headquarters.

As that plot summary makes clear, the story is a rather simple one: rags-to-riches and back to rags.  And for the first two-thirds of the book that simplicity largely holds true.  And then in the final third the book kicks it up a notch and suddenly we are racing to a spirited climax full of emotion and punch.

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By Kevin Holtsberry • Reviews • 2 • Tags: ,