Mark Twain

The Charlatan’s Boy by Jonathan Rogers

One of the challenges of reading young adult fiction is trying to determine what actual young people might think. As an adult I have different expectations, and experience books differently, and this makes reviews tricky. To be honest, I read YA fiction mostly because it offers some very creative approaches to fantasy and imaginative fiction that is often lacking in “adult” fiction.

This came up again while reading The Charlatan’s Boy by Jonathan Rogers.

Here is the publisher’s description:

As far back as he can remember, the orphan Grady has tramped from village to village in the company of a huckster named Floyd. With his adolescent accomplice, Floyd perpetrates a variety of hoaxes and flimflams on the good citizens of the Corenwald frontier, such as the Ugliest Boy in the World act.

It’s a hard way to make a living, made harder by the memory of fatter times when audiences thronged to see young Grady perform as “The Wild Man of the Feechiefen Swamp.” But what can they do? Nobody believes in feechies anymore.

When Floyd stages an elaborate plot to revive Corenwalders’ belief in the mythical swamp-dwellers known as the feechiefolk, he overshoots the mark. Floyd’s Great Feechie Scare becomes widespread panic. Eager audiences become angry mobs, and in the ensuing chaos, the Charlatan’s Boy discovers the truth that has evaded him all his life—and will change his path forever.

My first mistake was not really thinking of this as a young adult book. I guess I vaguely knew that but when I picked up the book I didn’t have that clearly in my mind and it affected my reaction.

But then knowing that it is YA what expectations should I have?

I love the setting and the personality and voice of the main character, Grady, but found the story dragged and held little suspense. But this might be due to “adult” expectations so your mileage may vary.

Keep Reading

In the Mail: Lighting Out For The Territory

Lighting Out for the Territory: How Samuel Clemens Headed West and Became Mark Twain by Roy Morris, Jr.

Library Journal

Samuel Clemens went west in 1861, and Mark Twain returned east six years later with the growing reputation of being a writer who rarely let the facts get in the way of a good story. Using letters, diaries, and reminiscences, Morris, author, journalist, and editor, pieces together the facts to show how an unemployed riverboat pilot became a self-made writer. Morris comments that separating fact from fiction in Twain’s case is more or less a full-time occupation. Morris is the editor of Military Heritage magazine and has served as a consultant for A&E Network and the History Channel. By relying on primary sources, he tracks Clemens’s personal, professional, and artistic transformation. Details include the development of Twain’s style including use of the vernacular, a love of the ridiculous, and a stinging wit to transform true-life situations into some of the most memorable stories of frontier life. Fans of Twain’s writing and academics will enjoy this well-researched biography. VERDICT A noteworthy addition for American literature and biography collections.