Noir

Little Elvises (The Junior Bender Series) by Timothy Hallinan

As anyone who has trolled for cheap e-books knows, you often get what you pay for. There is a reason there are thousands of $.99 books on Amazon and other sites. They have to be priced low or no one will read them. Are there some gems amongst them? Sure, and there is always the occasional promotional offer from publishers that means a favorite author at a low price. But let’s be honest, even in this new world of publishing many self-published books just aren’t that good.

But what if a best-selling and award-winning novelist decides to write and sell a series on his own? That is another kettle of fish entirely.  Which brings us to Timothy Hallinan‘s Junior Bender series.

I am a huge fan of his Poke Rafferty series and so was interested to see how he handled this new series available only in the electronic format.  The first book, Crashed, was great fun so I was hoping the second would cement that reaction and mean another series to enjoy.

Well, Little Elvises didn’t let me down. It was another enjoyable romp through Los Angeles with a memorable cast of characters, Hallinan’s dry and wry sense of humor, and a twisting plot that leaves you rushing to figure out the mystery at the heart of the story.

Hallinan descirbes the story this way:

[A] Los Angeles thriller-with-a-laugh-track about old-time rock-and-roll, the Philly mob, missing persons, the world’s oldest still-dangerous gangster, and a terrifying if somewhat hapless hit man named Fronts.  And a whole bunch of other stuff.

Keep Reading

First-rate detectives are like good lovers and good novelists

Tara McKelvey makes me want to read Jonathan Rabb’s The Second Son (Berlin Trilogy) based on the last two paragraphs of her review:

“The Second Son” lacks the concentrated energy of its pred­ecessors, which are both set in Hoffner’s native country. As a sweaty German ex-cop in Zaragoza, he doesn’t have the same allure that he mustered during his heyday in Berlin. Yet Rabb still steers him into some sharp scenes and snappy dialogue. “You shoot well with your left hand,” Hoffner tells an anarchist who has managed to kill the two Nazis who’d been torturing him. “Close range,” the anarchist answers. “Not that difficult.”

People don’t really talk this way, but Rabb makes you wish they did. He also captures the seedy appeal of some of the ­places where Hoffner conducts his investigations: “The bar was down in the Raval section of town, near the water and the docks, a good place for pimps and drunks and journalists. . . . Now, at 4 in the afternoon, it was primarily journalists.” Although its prose occasionally ventures into Danielle Steel territory (at one point, Hoffner, staring at Mila, “let himself believe in all things possible”), the narrative never flags. It proves that first-rate detectives are like good lovers and good novelists: keenly observant, intuitive and tough as nails.

Love the line: “People don’t really talk this way, but Rabb makes you wish they did.”  And of the course the final sentence is classic.

In the Mail: The Third Rail

The Third Rail by Michael Harvey

Publishers Weekly

A series of terrifying crimes threatens to paralyze Chicago in Harvey’s stellar third novel featuring Chicago PI Michael Kelly (after The Chicago Way and The Fifth Floor). First, a gunman executes two people, apparently at random at different locations, while they ride the T, the city’s elevated railway. Next, the sniper shoots at commuters on Lake Shore Drive, killing three people while missing Kelly’s girlfriend, Judge Rachel Swenson. Kelly suspects the shooter has an accomplice, a theory dismissed by official law enforcement. The hard-boiled investigator, who at age nine survived a horrific subway accident at the site of one of the T murders 30 years earlier, wonders if there could be a link between that past tragedy and the current spree. The author deftly alternates between his hero’s first-person perspective and third-person accounts of the mindsets of the men Kelly seeks. Harvey stakes a persuasive claim as the pre-eminent contemporary voice of Chicago noir.