Posts tagged ‘Vampire’

September 8th, 2011

Blood (Mercian Trilogy #1) by K.J. Wignall

by Kevin Holtsberry

I had a hard time collecting my thoughts on Blood, the first book in the new Mercian triology by Kevin “K.J.” Wignall. I re-read it just to get a stronger sense of my reaction.  I am biased as I am a big fan of the superbly named (although initialed in this effort) Wignall. I enjoyed this book, and think it will make for an interesting series, but it was hard getting my head around it as it was just so different than his previous works.

Here is what I said about his last book (Who is Conrad Hirst?)

Wignall writes psychological novels that have the action, tension and pace of the thriller or espionage genre but the style and depth or more literary works. His sparse and sharp prose somehow adds to both the thriller and literary aspects. His focus on the world of hit-men and his almost amoral perspective add a dark or icy edge; if I may mix my metaphors.

At first I thought he would be taking this same approach to a vampire story – and that would work, right?

But this young adult novel didn’t have that same feel for me (perhaps because of its audience). The lead character, Will, could easily have been that icy cold exterior with the philosophical interior but instead what struck me was this epic sadness coupled with a deep sense of honor and decency. He is trapped in this tragic way and instead of embracing the power and giving into it he seems determined to just endure.

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July 16th, 2011

Alex Van Helsing: Vampire Rising by Jason Henderson

by Kevin Holtsberry

My reading in the young adult genre or age group has mostly been focused on fantasy with a mythological and/or fairy tale perspective. Jason Henderson‘s Alex Van Helsing series fits into that, kinda. After all it uses the Van Helsing legend as a touchstone and vampires are part of mythology.  And yet it has a much more contemporary feel to it than most books I read. The literary and mythological background is there but the focus is much more on action and adventure than myths and legends.

But with the second book in the series coming out at the end of the month I decided to start with the first book: Alex Van Helsing: Vampire Rising. It turned out to be a rather uneven start. Some promise with the style and characters but a plot that moves in fits and starts.

Here is the publishers blurb:

The Van Helsing name reborn

Fourteen-year-old Alex has no idea that he’s descended from the world’s most famous vampire hunter, but that changes fast when he arrives at Glenarvon Academy and confronts two vampires in his first three days. Turns out Glenarvon isn’t the only school near Lake Geneva. Hidden deep underground lies an ancient university for vampires called the Scholomance. And the deadly vampire clan lord known as Icemaker? You might say he’s a visiting professor.

When two of Alex’s friends are kidnapped by Icemaker, it’s up to Alex to infiltrate the Scholomance and get them back—alive. Assisted by the Polidorium, a top-secret vampire-hunting organization with buried ties to the Van Helsings, Alex dodges zombies, bullets, and lots—and lots—of fangs on his way to thwarting Icemaker’s plans and fulfilling his family destiny.

More thoughts below.

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March 31st, 2009

Twilight, Vampires and Community

by Kevin Holtsberry

Tony Woodlief on what the Twilight series, and its popularity, says about modern notions of community:

We have fully reversed the symbolism of Stoker’s vampire, who represented a demonic assault on a virtuous community. Today’s vampire is the hip Other, and the community around him is either bungling, intolerant, or simply a source of comedic relief (as in Buffy the Vampire Slayer, The Lost Boys, and Fright Night, for example). The modern vampire is in touch with his sexuality, but the community suppresses it. The modern vampire is coming to take away your girlfriend, and she kind of likes it. The modern vampire is the guy you wish you had been in high school, or the guy you wish you’d dated in high school, and Meyer has turned that into gold.

The trouble with this evolution is that fictional monsters serve a valuable cultural purpose. They remind us that we live in communities, and that our communities must be defended from those who would rend them asunder. Though he is no conservative ideologue, Stephen King always seemed to fathom this intuitively. His stories and books featuring vampires made them evil through and through. The difference between his Salem’s Lot and Stoker’s Dracula is that King is also a bit of a dystopian, so while the community in Stoker’s novel worked together in the end to stop the menace, King lets the community fall. Still, he’s wise enough to know that creatures lacking in fundamental attributes of humanity don’t make for good neighbors.

By inverting the traditional vampire tale, so that the community is predatory and the monster an object of empathy if not admiration, we have found one more avenue along which to push the tired idea that community is, rather than a source of life and happiness, a locus of oppression. The Twilight series simply carries our modern love affair with the undead to its natural conclusion; the lovelorn vampire and the object of his infatuation get married and make a baby.

Update: Caitlin Flanagan begs to differ.